Mizuiro
Jul 30, 2005, 12:42
This is my first post, so forgive me for its lack of aesthetic appeal or sophistication. :bluush:
I'm also underinformed as to whether this topic has been discussed before. However, it occured to me as I read three books on Geisha (Liza Dalby's Geisha, Memoirs of a Geisha, and Geisha, A life) that, depending on the time period and author's interpretation of it, the reader could come off with very different ideas about both Geisha and prostitution, and the life of a trainee even before her debut as a maiko.
I'm also a little concerned about the filming of Memoirs of a Geisha, and not only because the Geisha it to be played by a Chinese actress. (Solely because I believe the position would be better filled by a Japanese actress, only for... accuracy and my sense of what's correct?)
Memoir's of a Geisha, among other things, included a rather dramatized conflict between the main character and an older Geiko, as well as the old practice of "mizu-age," and rather cruel treatment by her okasan (mother, or manager for those who don't know the term) and okiya (where Geisha are registered and live). If my memory serves me, she was also, for lack of a better word, sold into the okiya.
While I'm not trying to say this in inaccurate, as I've read that at different time periods all occured (admittedly sometimes/often together), it is one of the saddest stories I've read about a girl becoming a Geisha. I have read that girls wishing to become a Geisha rarely suffered so much in all considerations.
I also think that the idea of Geisha as what they truly are, skilled artists who study under the oldest and most advanced schools in Japan, will be severaly undermined in order to make another blockbuster (*shifty eyes* The Last Samurai, despite my love for that movie.) and that it will promote further misunderstanding about what it truly means to be a Geisha in the west, and also harm the shrinking, but beautiful old tradition.
(As far as necessary evidence about Geisha not being prostitues... As early as the later half of the 18th century, there was a clear distinction between "Geisha" who would engage in prostitution and those who would not. Liza Dalby explains this in her novel, noting that there were different terms for different "types" of Geisha. Shiro, or white Geisha, were solely for entertainment while Joroo were... not. In 1779, a Geisha could be punished for invading on a prostitutes territory, or distracting her customers. And finally, in 1957 when prostitution became illegal, Geisha were still allowed to practice.)
I hope some have interest! :wave:
I'm also underinformed as to whether this topic has been discussed before. However, it occured to me as I read three books on Geisha (Liza Dalby's Geisha, Memoirs of a Geisha, and Geisha, A life) that, depending on the time period and author's interpretation of it, the reader could come off with very different ideas about both Geisha and prostitution, and the life of a trainee even before her debut as a maiko.
I'm also a little concerned about the filming of Memoirs of a Geisha, and not only because the Geisha it to be played by a Chinese actress. (Solely because I believe the position would be better filled by a Japanese actress, only for... accuracy and my sense of what's correct?)
Memoir's of a Geisha, among other things, included a rather dramatized conflict between the main character and an older Geiko, as well as the old practice of "mizu-age," and rather cruel treatment by her okasan (mother, or manager for those who don't know the term) and okiya (where Geisha are registered and live). If my memory serves me, she was also, for lack of a better word, sold into the okiya.
While I'm not trying to say this in inaccurate, as I've read that at different time periods all occured (admittedly sometimes/often together), it is one of the saddest stories I've read about a girl becoming a Geisha. I have read that girls wishing to become a Geisha rarely suffered so much in all considerations.
I also think that the idea of Geisha as what they truly are, skilled artists who study under the oldest and most advanced schools in Japan, will be severaly undermined in order to make another blockbuster (*shifty eyes* The Last Samurai, despite my love for that movie.) and that it will promote further misunderstanding about what it truly means to be a Geisha in the west, and also harm the shrinking, but beautiful old tradition.
(As far as necessary evidence about Geisha not being prostitues... As early as the later half of the 18th century, there was a clear distinction between "Geisha" who would engage in prostitution and those who would not. Liza Dalby explains this in her novel, noting that there were different terms for different "types" of Geisha. Shiro, or white Geisha, were solely for entertainment while Joroo were... not. In 1779, a Geisha could be punished for invading on a prostitutes territory, or distracting her customers. And finally, in 1957 when prostitution became illegal, Geisha were still allowed to practice.)
I hope some have interest! :wave: